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For a Baroque Aesthetic, A study of the Films of David Lynch
( Télécharger le fichier original )
par
Michael Cutaya
National College of Arts and Design, Dublin - Master of Arts in the History of Arts and Design 2004
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FOR A BAROQUE AESTHETIC
A Study of the Films of David Lynch
Michaële CUTAYA
Master of Arts in the History of Art and Design
The National College of Art and Design
September 2004
INTRODUCTION
History of the Baroque
Wölfflin and the Baroque
Leibniz and Deleuze
Baroque and Realism
Realism and Cinema
Baroque and Cinema
David Lynch
Principles of Analysis
On the Use of Quotes
CHAPTER I:
NARRATIVE CONTINUITIES
CHAPTER II:
THE SHOT OF AMBIGUITY
CHAPTER III:
THE MONTAGE OF CONFUSION
CHAPTER IV:
THE TEXTURE OF FILM
A Baroque conception of matter, in philosophy as in science or in art, has to go up to this point, to a texturology that attests to a generalized organicism, or to a ubiquitous presence of organisms.
Gilles Deleuze, The Fold, Leibniz and the Baroque.
CHAPTER V:
THE DARK DEPTHS
CONCLUSION
APPENDIX
THE EYE-OF-THE-DUCK
SELECTED FILMOGRAPHY OF DAVID LYNCH
Six Men Getting Sick
The Alphabet
The Grandmother
Eraserhead
The Elephant Man
Dune
Blue Velvet
Twin Peaks
Wild at Heart
On The Air
Hotel Room
Twin Peaks: Fire Walk with Me
Lost Highway
The Straight Story
Mulholland Drive
FILMOGRAPHY
Un Chien Andalou (Luis Buñuel, 1928)
BIBLIOGRAPHY
BOOKS
ARTICLES
suivant
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Francis Bacon