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Multiculturalism in Fiction and Fact in Angola Reading Pepetela's Mayombe After Twenty-Nine Years

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par Avelino Chicoma Bundo CHICO
Arrupe College (University of Zimbabwe) - BA Honours and MA in Philosophy and Humanity 2009
  

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HAS MULTICULTURALISM ANY VALUE?


Multiculturalism is a philosophical movement that holds that every culture, by virtue of its being
a culture, has an intrinsic value which is worth respecting. Multiculturalism advocates the

recognition and respect of all cultures and so, as Fleishacker says, it is «the affirmative attitude towards all cultures» (XI). Moreover, multiculturalism can be viewed both in positive and negative ways. It is positive if it brings the riches of cultural diversity to the larger political community, thereby leading to respect for differences, appreciation of diversity and cooperation as well as interaction among cultures. It can be negative if it prevents people from developing any attachment to the larger political community and hence leading to isolationism, ethnic cultism and tribalism. Angola is made up of a diverse range of cultures and identities and both loyalty to the larger political community, as advocated by Pepetela' s Mayombe, pari passu with a multiculturalism which does not wash away ethnic particularism but celebrates differences, will be another way of bringing about what Angola should become to prevent further conflict, to unite the citizens and to transcend people' s differences.

The culture of resistance that Mayombe creates and which is informed by the liberation struggle calls for a nationalistic approach for nation building so that a person will not act as a Kimbundu or Umbundu but as an Angolan. As Fearless asks «Am I Kikongo? Are you Kimbundu?» (8). João picks it up, «Not us. We belong to the minority who have already forgotten our roots and the village we came from» (8) and therefore, the only way in which individuals can realize themselves to the full is by identifying with the nation (the larger political community). João's remark «What would I be without the Movement? An orphan» (100) alludes to the nation. Even though several kingdoms (nations) existed in the contemporary Angola before the arrival of the Portuguese, people's migration and their exposure to the common experience of oppression and discrimination, as well as the cultural fusion that was highlighted by the increased use of the

Portuguese language at the expense of indigenous languages, led to the rise of a national culture, a national loyalty and so to the birth of Angola's nation-state (one nation).

The culture of resistance implies transferring loyalties and commitments from the ethno-cultural groups to the new nation-state. The ideal is, as Tamir puts it, that «national ends have priority over individual ends and personal freedom is attainable only through identification with, and subordination to the `nation's will'» (17). In Etounga-Manguelle' s terms, the nation is the mother and institutions are the children (75). Pepetela' s character New World attests to that when he says that «an individual is nothing, only the masses can make History» (52). National history is being unfolded through the revolution and that is why the Ops says that «people understand [Fearless] only when he expresses himself in action [...] they [even forget] that he is Kikongo» (166). This suggests that an active approach to nation-building is needed for Angola to unite its citizens and to attain the real independence which will come to its term only when, as João remarks, talking to the timber workers, «[...] the trees you chop down may serve the people and not foreigners [...] the petrol in Cabinda may serve to enrich the people and not the Americans» (20). However, after independence, João's remarks became merely rhetorical because leadership of the liberation movements degenerated into elitism.

The rise of Portuguese at the expense of the indigenous languages is a historical fact that supported the growth of that cultural homogeneity which Mayombe attempts to create. A survey carried out in 1996 showed that Portuguese was the second most widely spoken language in the country and was well ahead of Kimbundu and Kikongo. The survey testified that no less than forty-two per cent of children under nine years of age, thirty-four per cent of those between ten

and nineteen, eighteen per cent of those aged from twenty to twenty-nine, including myself, and ten per cent of those over forty spoke Portuguese as their first language (Hodges 26). Besides urbanization, which served as one of the driving forces that led to that, and for the sake of national unity, the MPLA's government never allowed the use of indigenous languages in the public sector. So, Chabal says, «Angola has often been seen to be more `Portuguese' than [any other colony]» (4). According to Neto, «culture results from the material situation and from the state of social development» (493). Since, the rise of the Portuguese language is a historical fact, Neto argues that this «should be presented as the cultural emancipation of the Angolan people» (493). However, by making Portuguese the national language, this will result, as it has already, in its outstripping all the indigenous languages, and this poses a threat to Angola's cultural and multilingual diversity.

As has been demonstrated, the culture of resistance, which Mayombe attempts to create, is seriously flawed. It fosters national unity, national identity, national loyalty, national culture and national integration by fusing the diverse ethnic elements into a new political whole called `the nation.' But, in its failure to take into account of ethnic and linguistic identities, Mayombe ends up promoting cultural and linguistic homogeneities and therefore eradicating ethnic consciousness or identity. Nussbaum says, «[we] need not think of them [ethnic and linguistic identities] as superficial, and we may think of our identity as constituted partly by them» (9) and so instead of `real' nation-building, Mayombe promotes `nation-destroying.' Guerrillas are brought together purposely in order to act and think as if they belonged to one large ethnocultural community. For instance, when the Kikongos start joining the MPLA's leadership, which was dominated by Mbundu, mestiços, Creoles and white, Miracle says bluntly that these «will not

let themselves be bossed by the Kikongos» (19). In other words, the ethos of fellow feeling and mutual recognition among the guerrillas is clearly instrumental - to promote the liberation struggle - and thus, multiculturalism, which does not wash away ethnic particularism but celebrates differences, should also be fostered.

Multiculturalism creates room for cultural diversity, respect for the distinctness of cultures and protection of minority groups. Moreover, multiculturalism is not simply built on many cultures but by the fact of holding that no culture is perfect and all cultures should be open and interactive in their relations with each other because the `significant others' help to define oneself. In Taylor's words, «my discovering my own identity does not mean that I work it out in isolation, but that I negotiate it through dialogue, partly overt, partly internal, with others» (34). In addition, «part of the uniqueness of individuals results from the ways in which they integrate, reflect upon, and modify their own cultural heritage and that of other people with whom they come into contact» (Gutmann 7). Thus, instead of having the Luanda Creole elites despising people from central and southern Angola and the latter considering the former as `non-African', Angolan plurality should contribute to human flourishing and discovering a common purpose within a more diverse society.

Ethnicity, which Mayombe attempts to wash away for the sake of national unity, is one of the outstanding features of a nation. As Gyekye reminds us, the word ethnicity comes from the Greek word ethnos that means «a number of people living together, body of men, class of men, nation, caste and tribe» (96). This suggests that from its etymology, ethnicity essentially implies the fact of people living together and it does not directly imply a sense of kinship and common

descent. Anthony Smith says that the Greek word genos, which has its etymological affiliation in the Greek root gene, was the term reserved for kinship or biological ties (qtd. in Gyekye 97). Moreover, considering the movements of people from one place to another in the wake of wars, inter-ethnic and inter-racial marriages, amalgamation of groups into other distinct units, ethnic identity becomes a matter of personal belief or choice. Since one's ancestry can often not be established with any certainty, instead of a community of people bound by kinship or intrinsically ancestral descent, today what we have are communities of people living together and sharing values, aspirations, ideals and sentiments. Thus, as Gyekye points out, «what is often called `ethnic' identification is almost invariably cultural identification» (99) and Angolans should not see themselves as sharing just one ethnic identity. They are heirs to a multicultural identity that allows them to transcend parochialism.

As has been shown, ethnic communities are far too large to possess any kinship basis. Their sense of common descent, as Anthony Smith argues, «[...] is only a myth, albeit a powerful one» (qtd. in Gyekye 97). The example of Pepetela' s character Muatianvua can be a helpful one here. He is born in Lunda (known as the territory of Tchokue, Angola's fourth largest ethnic group) from an Umbundu father and a Kimbundu mother. He grew up in Benguela (the territory of Umbundu) with white children and children whose fathers were Umbundu, Tchokue, Kimbundu, Kuanhama and Fiote. As a sailor, Muatianvua went as far as Gabon, Ghana, Senegal, Mauritania and Saudi Arabia. When asked to which tribe he belongs, he answers, «I am from all tribes, not only Angola [...] Do I not speak Swahili [...] Hausa [...] Portuguese?» (87) Muatianvua extrapolates a general truth which Angolans face about their specific ethnic belonging and so shows that we are all individuals of multiethnic extraction. The significance of this is that this should help us to learn

and value our own culture, respect other cultures as well as value cultural diversity and see it as a positive thing.

As said earlier, multiculturalism is negative if it prevents people from developing any attachment to the larger political community. The kind of nationalism - the manipulative rhetoric used to preserve a larger nation - which Savimbi, Roberto and the Luanda Creole community promoted, prevented people from developing any national attachment and therefore it led to ethnic cultism, tribalism, racism and superiority complex. While Savimbi and Roberto called the Luanda Creole society `non-African,' the latter, as they were at the heart of the colonial order, saw themselves as the true elites of the country and so developed a superiority complex over the people of the interior. Despite cultural and linguistic divisions, people should identify themselves not only as men and citizens but also as Angolans. We were all exposed to the same political, economic and social forces and this should help us to recognize each other' s horizons, to experience one another, not only as Angolans but also, say, as Mbundu, Bakongo or Ovimbundu. Moreover, we all belong to the community of humankind and therefore, as Wiredu says, «what unifies us is more fundamental than what differentiates us» (32).

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