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The image of the woman in Okot p'Bitek's Song of Lawino and song of Ocol

( Télécharger le fichier original )
par Guershom Kambasu Muliro
Unviersité de Kisangani (RDC) - Licence 2007
  

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III.2. ducation Point of view

On the educational point of views, the traditional woman is considered y the white man as an illiterate for she does not know English, she does not know the names of the names of the moons/ How many moons in a year/And the number of Sabbath / In one moon `(SOL, P. 69)

She is also considered as a numb and an empty head for his husband says, she can not tell when their children were born. (S O L, p 72) in which colonial education emasculates the emerging African elite: «my husband's house is a dark forest of books.../ their manhood was finished in the classrooms, their testicles were smashed with big books.» (SOL, P. 117)

III.3. Religious Point of view,

On the religious point of view, Okot presents the immorality of a woman. For instance, Lawino's preoccupation of sexual morality is in evolved in her later comment on the catholic priests and nuns, the long tradition of priestly and nun's hypocrisy. Again Okot attacks the idea of celibacy which has a serious basis in many people's minds and has been and still is a familiar and influential idea in European culture.

So when then Padré and the nun shout at Lawino, it must be their sexual frustration:

They are angry with me

As if it was I

Who prevented then marrying ( SOL,P.85).

The intellectual woman is hypocrite and again no priest can possibly discipline his sexual desires. So no one can resist another:

«In the Padré's car

The Nun pats them one their backs

And says my son you are good! (SOL, P.86)».

Religion is also against woman's nakedness in Western dances. The teacher from the evening speaker's class follows Lawino to the dance. And every teacher must be like this:

«And all the teacher

Are like

They have sharp eyes

For gils' full breasts... (SOL, P.81).

They white man should accept the traditional woman if she takes the commitment of being baptized and getting a Christian name. According to the white man, the suitable name is that of Maria the clean woman, Mother of the Hunchback:

«Ocol wanted me

To be baptized Benedeta

He has christened one daughter Marta

The other took

The name of the mother of the Hunchback» (SOL, P.81)

The Whiteman rejects Acoli names, meaningful names.

He says that they are folk names. Payan names.

He says belong to sinners who will burn in ever lasting fires (SOL, P.82).

Personal point of view

As far as the debate about two cultures is concerned, the evidence is that one of the two characters, the antagonist and the antagonist pretends to belong to a worthy culture different from another one.

On our part, there is no better culture than another. To avoid the polemic however, reconciliation between the two cultures should be done.

We mean, forgiveness between old type and traditional woman and modern woman has its raison d'être. Neverthless, each man has to defend and protect his culture from foreigner's influence.

Okot through Lawino, the defender of her ancestor's customs shows that white men despise African culture. Colonialism denied Africa the right to cultural development and self expression and set up a state of siege that it justified with theories about cultural assimilation. So Okot as a writer during colonial and post-colonial period attacks colonizers who imposed their culture to African people.

Quote fromthe site web htt:HWWW.info please.Com/Ce 6/People/AO835542html

Okot P'Bitek protest against the white mean of the colonial period like Ferdinand Oyono in his novel: Houseboy because his feels that they deny the African and his power as a human being.

Okot uses a woman Lawino to describe the beauty of the tribal dances, particularly the beauty of the female dancers. Lawino seems to lament to the role that Western females take in the dance of their culture. Perhaps this is importand because it is universally true of their sexuality as it seems to be Okoy for men in both cultures to participate in basturbation.

In the closing lines of the poem there is not only anger, but also devastating sense of frustration and hopelessness on the prantagonist side:

WEBOGRAPHY

«Open the door,

Man

I want to dance

All the dances of the world

I want to sleep with

All the young dancers

I want to dance

And forget my smallness,

Let me dance and forget

For a small while

That I am a wretch

...Torn down by the whirlwind of Uhuru» (SOL, P.120).

Now the question is that what kind of liberation should Africa take on? Should it honour its traditions or should it adopt the European's values that were already set in place during colonialism? The answer is that Africa should respect its traditions.

After analysis the poems, we realize that Okot speaks out against the prejudice that African tribes have receive during colonial period. He attacks the Western colonizers and addresses the African people to inherit his philosophy, and to stay firm to their culture, not to be uprooted.

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