For a Baroque Aesthetic, A study of the Films of David Lynch

ARTICLES

Aubron, Hervé, `A Rebours', Vertigo, Projections Baroques, Hors série, 2000, pp. 5-16.

Aubron, Hervé, `David Lynch et l'enfer des images', Traffic, No. 30, Eté 1999, pp. 99-113.

Backes, Clément, `Leibniz', Encyclopaedia Universalis, Vol. IX, Paris, 1978, pp. 882-889.

De Baecque, Antoine, `Du concept au fétiche: Penser un nouvel age du cinéma, la critique et le baroque', Vertigo, Projections Baroque, Hors Série, 2000,pp. 23-30.

Bard, Elisabeth, `The Road to Digital Heaven', Contemporary, No. 47 & 48, 2003, pp. 44-45.

Battersby, Christine, `Her Body/Her Boundaries, Gender and the Metaphysics of Containment', The Body, Journal of Philosophy and the Visuals Arts, Andrew Benjamin (ed.), London: The Academy Group, 1993, pp. 30-39.

Beausse, Pascal, `Ange Leccia, Eblouissements', Art Press, No. 277, Mars 2002, pp. 39-43.

Bellour, Raymond, `La Querelle des Dispositifs', Art Press, No.262, Novembre 2000, pp. 48-52.

Bryant-Rhodes, Eric, `Lost Highway', Film Quarterly, Vol. LI, No. 3, Spring 1998, pp. 57-61.

Bullot, Erik, `Aura été', Vertigo, Projections Baroques, Hors Séries, 2000, pp. 21-24.

Collet, Jean, `Cinéma: Histoire', Encyclopaedia Universalis, Vol. IV, Paris, 1978, pp. 496-507.

Colombani, Florence, `Jeu de chat et de souris entre une Mariée et sa victime', Le Monde, 18 Mai 2004, p. 29.

Comb, Richard, `Crude Thoughts and Fierce Forces' Monthly Film Bulletin, Vol. LVI, No. 639, April 1987, pp. 100-104.

Davison, Annette, `«Up in Flames»: Love, Control and Collaboration in the Soundtrack to Wild at Heart', in Erica Sheen and Annette Davison (ed.), The Cinema of David Lynch: American Dreams, Nightmare Visions, London: Wallflower Press, 2004, pp. 119-135.

Drössler, Stefan, `Lola Montès: The Restoration', Sight & Sound, Vol. 12, No. 6, June 2002, pp. 27-29.

Gargett, A, `Eternal Feminine: Natacha Merritt Digital Diaries; Post feminist Deleuzean Figurations', Parallax, Vol. 4, 2002, Routledge, pp. 32-45.

Gingeras, Alison, `The Decorative as strategy, Daniel Buren's The Museum which did not exist', Parkett, No.66, December 2002, Zurich, pp. 84-92.

Godard, Jean-Luc, `Juste une Conversation' avec Jean-Michel Frodon, Cahiers du Cinéma, No. 590, May 2004, pp. 20-22.

Kember, Joe, `David Lynch and the Mug Shot: Facework in The Elephant Man and The Straight Story', in Erica Sheen and Annette Davison (ed.), The Cinema of David Lynch: American Dreams, Nightmare Visions, London: Wallflower Press, 2004, pp. 19-34.

Krohn, Bill, `Lost Highway de David Lynch 1996', trans. Serge Grünberg, Cahiers du Cinéma, No. 509, Janvier 1997.

Leutrat, Jean-Louis, `Quoi de neuf, Doc? Pourquoi je n'ai jamais utilisé le mot «baroque»', Vertigo, Projections Baroques, Hors Série, 2000, pp. 57-60.

Magid, Ron, `Blue Velvet Small Town Horror Tale', American Cinematographer, Vol. LXVII, No. 11, November 1986, pp. 60-74.

Neyrat, Cyril, `Codicilles', Vertigo, Projections Baroques, Hors Série, 2000, pp. 17-20.

Neyrat, Cyril, `Errance dans les ruines circulaires' Vertigo, Projections Baroques, Hors Série, 2000, pp. 39-50.

Nochimson, Martha, `«All I need is the girl»: The Life and Death of Creativity in Mulholland Drive', in Erica Sheen and Annette Davison (ed.), The Cinema of David Lynch: American Dreams, Nightmare Visions, London: Wallflower Press, 2004, pp. 165-181.

Nochimson, Martha, `Mulholland Drive', Film Quarterly, Vol. 56, No. 1, Fall 2002, pp. 37-45.

O'Doherty, Brian, `Kane's Welles, The Phantom of the Opus', Artforum, Vol. 26, December 1987, pp. 87-92.

Païni, Dominique, `Le Cinéma exposé: Flux Contre Flux', Art Press, No. 287, Février 2003, pp. 24-29.

Païni, Dominique, `Le Retour du Flâneur', Art Press, No. 255, Mars 2000, pp. 33-41.

Pellegrin, Julie, `Daniel Buren: Decoration as Critique', Art Press, No. 280, Juin 2002, pp. 17-23.

Pizzello, Stephen, `Highway to Hell', American Cinematographer, Vol. LXXVIII, No. 3, March 1997, pp. 34-42.

Pizzello, Stephen, `Twin Peaks: Fire Walk With Me, Laura Palmer's Phantasmagoric Fall from Grace', American Cinematographer, Vol. LXXIII, No. 9, September 1992, pp. 58-67.

Plasseraud, Emmanuel, `Vestiges du Baroque: L'Origine fantasmée', Vertigo, Projections Baroques, Hors Série, 2000, pp. 31-37.

Royoux, Jean-Christophe, `Cinéma d'Exposition: L'Espacement de la Durée', Art Press, No. 262, Novembre 2000, pp. 36-41.

Shaviro, Steven, `The Erotic Life of Machines', Parallax, Vol. 4, Routledge, 2002, pp. 21-31.

Tapié, Victor, Lucien, `Baroque', Encyclopaedia Universalis, Vol. II, Paris, 1978, pp. 1090-1096.

INTERNET SOURCES

De Baecque, Antoine, `Twin-Peaks, Fire Walk With Me: sus au mystère', Cahiers du Cinéma, No. 457, Juin 1992, http://www.ifrance.com/davidlynch/cdc.htm [23.03.2003]

Buci-Glucksmann, Christine, `Places of Painting', trans. Jane Mac Donald, http://www.jameshyde.com/pages/placesofpainting.html#Anchor [14.02.2003]

Chion, Michel, `Dune, les visages et les noms', Cahiers du cinéma, No. 368, Février 1985, http://www.ifrance.com/davidlynch/cdc.htm [03.11.2002]

Deleuze, Gilles, Seminars on Leibniz, http://www.webdeleuze/ [01.02.2003]

French, Sean, `The Heart of the Cavern', Sight and Sound, Vol. 56, No. 2, Spring 1987, pp. 101-104, http://www.geocities.com/hollywood/2093/ [18.01.2003]

Friend, Tad, `Creative differences', http://www.geocities.com/hollywood/2093/ [16.03.2003]

Herzogenrath, B., `On the Lost Highway: Lynch and Lacan, Cinema and Cultural Pathology', 1999, http://www.geocities.com/hollywood/2093/papers/ [16.03.2003]

Jousse, Thierry, `Lost Highway, l'isolation sensorielle selon Lynch', Cahiers du Cinéma, No. 511, Mars 1997, http://www.ifrance.com/davidlynch/cdc.htm [23.03.2003]

Jousse, Thierry, `Mulholland Drive: L'amour à mort', Cahiers du Cinema, No. 562, Novembre 2001, http://www.ifrance.com/davidlynch/cdc.htm [23.03.2003]

Joyard, Olivier and Lalanne, Jean-Marc, `Convergences, Mulholland Drive et Millenium Mambo (Hou Hsiao-hsien)', Cahiers du Cinéma, No. 562, Novembre 2001, http://www.ifrance.com/davidlynch/cdc.htm [16.03.2003]

Krohn, Bill, `Lost Highway de David Lynch' trans. Serge Grünberg, Cahiers du Cinema, No. 509, Janvier 1997, http://www.geocities.com/hollywood/2093/lost highway/index.html [16.03.2003]

Le Cain, Maximillian, `In Dreams, A Review of Mulholland Drive', http://www.sensesofcinema.com [14.02.2003]

Lynch, David, `One Significant Day in My Life', Celeb Spiritual Report, Jan-May 2004, Fairchild Publication Inc, available at http://www.lynchnet.com/articles.html, [14.06.2004]

Nietzsche, Friedrich, `The Birth of Tragedy from the Spirit of Music', http://www.edmaupin.com/Somatic/birth_of_tragedy1-5.htm [23.10.2001]

Nochimson, Martha, `The Straight Story: Sunlight Will Out of The Darkness Come', http://www.sensesofcinema.com/ [08.05.2003]

Ostria, Vincent, `Twin-Peaks, la série: le polar psychotrope', Cahiers du Cinéma, No. 446, Juillet-août 1991, http://www.ifrance.com/davidlynch/cdc.htm [23.03.2003]

Passannanti, Erminia, `Neo-baroques?' Transference, Oxford, 2001, www.literary.it/ali/dati/autori/passannanti_erminia.html. [18.02.2003]

Rapfogel, Jared, `David Lynch', http://www.sensesofcinema.com [14.02.2003]

Rodley, Chris, `Mr Contradiction', Sight and Sound, Vol. 6, No. 7, July 1996, pp. 6-10, http://www.geocities.com/hollywood/2093/losthighway/index.html [16.03.2003]

Strauss, Frédéric, `Lost Highway: Tempête sous un crane', Cahiers du Cinéma, No. 509, Janvier 1997, http://www.ifrance.com/davidlynch/cdc.htm [23.03.2003]

Villella, Fiona, `Circular Narratives: Highlight of Popular Cinema in the `90s', http://www.sensesofcinema.com/ [08.05.2003]